Alison Gordon Striking Out (1995) It’s 1994, and the baseball strike has just started. Kate Henry, sportswriter, is at loose ends, but she has enough stuff to do that she doesn’t miss her work. Then her partner Andy, a homicide detective, is shot and nearly killed while attending a home to interview a witness. It gets complicated when a homeless woman who’s taken up residence in the back alley disappears. Then a handless body is found stuffed in a garbage bag. Other casual acquaintances are drawn into the circle of suspicion, a nicely complicated knot unravels plausibly and loose ends are tied up.
Gordon writes well. The dialogue is in the wisecrack romantic comedy mode of old movies, and works very well. Plot moves forward, characters reveal themselves, additional information and red herrings drop into conversations, relationships strain but don’t buckle, and anyone who knows Toronto will recognise the settings. The narrative’s structured like a TV show, which does it no harm at all. A well-done entertainment, not the kind of crime story that prompts musing about justice and human frailty. The relationships have the ring of truth: Gordon is a sharp observer. **½
Wednesday, December 11, 2013
Alison Gordon Striking Out (1995)
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